fig.1 film poster |
“Close Encounters of
the Third Kind” is a 1977 film directed by Steven Spielberg that won a
number of rewards and can be described as the positive outlook on intelligent
life beyond Earth. With a budget of 20 million dollars the film was a financial
success grossing a total of 337 million dollars worldwide. The film has left an
impression on today’s media having a number of references including one in 2009’s
“Monsters vs Aliens”. This can be
attributed to the memorable use of sound and music that has been written by
John Williams and original concept of communication through such sound.
The story follows Roy Neary, an electricity line repairman
who lives a relatively ordinary life. At the beginning of the film Roy is seen
with his family of 3 children and a wife. A single event changes this as he
encounters a UFO. This leaves Roy with a burn on his face and is drawn to a
location known as the devil’s peak. As a result of trying to make sense of the
previous events he befriends a woman who together they investigate the UFO
sightings further. In the end Roy ultimately leaves his life on Earth to start
anew with the extra-terrestrial visitors.
While the film is classed as a science fiction film it is
easy to get lost in the sense of adventure and mystery that Spielberg provides.
Strangely the film opens with a scene looking at a team of scientists who are
investigating a series of events that are unexplained. The transition between
the two on-going events of Roy’s life and the team may seem confusing at first
but they soon being to fill each other’s gaps, fulfilling one half of each
other’s story. Spielberg has the two events run alongside each other to provide
enough information and mystery to draw the audience in creating questions that
are explained in the film’s finale. One example of this is the use of two
scenes, one of the science team playing the different sounds that make up the
alien language and the other of Barry Guilder, a 3 year old boy who plays the
alien tune on a glockenspiel without hearing it beforehand. As a viewer the
small amounts of information provided helps to provoke questions that must be
answered. Why does Roy have vivid memories of the Devils Peak? Why does Barry
know the alien tune? Spielberg has directed the film in a way that retains the
audience’s attention until the finale.
Continuing with the theme of adventure and mystery “Close Encounters of the Third Kind” makes
use of a greater number of special effects in comparison to films beforehand. Alongside
the original film Spielberg also released another version consisting of several
more scenes, some of which are new and others that were not used in the first
version. Probably the most notable change that has been made by Spielberg is
the ending. The final resolve that is given to the audience and the one that
answers all the questions made is shown in the form of a large UFO with a large
city like structure contained within. The audience who have watched the film to
the end are rewarded with beautiful scenes of the alien ships.
fig.2 ship outside |
The protagonist in question is that of a strange nature. When
looking at the story without acknowledging the extra-terrestrial factor the
audience may see a man who is ignores his duties as a husband and father. Using
the UFO sightings as a way to escape his life Roy’s actions can also be seen in
another light. As stated by Errigo “But
take away the sci-fi, the spectacular sound and light show, and what remains is
compassionate, classic human drama of an ordinary man in extraordinary
circumstances who makes a difficult odyssey” (Errigo,A. 2009), Roy is simply
find a place of belonging.
Finally, not only does the “Close Encounters of the Third Kind” take a look at intelligent life
beyond Earth from a 70’s perspective but does so in a hopeful manner. Contradicting
today’s expectations of aliens in media, this film presents the vistors in a
calm and peaceful attitude. It plays upon the more hopeful expectations of the
era with all of humanity being capable of cooperating in peace to reach out
towards space. When looking at the context of the time it appears that the
united goal of moving humanity into space as one may instead be a dream to
aspire to. Along with the advancements that humanity has made from the 60s to
the 70s conflict was an on-going issue, most notably the Cold War and the
Vietnam War. It was an era of uncertainty yet the film looks beyond this in
hope of peace. As a result Spielberg has created a film that has managed to
captivate its audience throughout the years.
Bibliography
Errigo, A. (2000) “Close
Encounters of the Third Kind Review”
http://www.empireonline.com/movies/close-encounters-third-kind/review/
(accessed 04/03/17)
Ebert, R. (1980) “Close
Encounters of the Third Kind”
http://www.rogerebert.com/reviews/close-encounters-of-the-third-kind-1980
(accessed 04/03/17)
Bradshaw, P. (2016) “Close
Encounters of the Third Kind review – a must-watch director's cut”
https://www.theguardian.com/film/2016/may/26/close-encounters-of-the-third-kind-review-a-must-watch-directors-cut
(accessed 04/03/17)
Illustration List
fig.1 film poster
https://upload.wikimedia.org/wikipedia/en/b/ba/Close_Encounters_of_the_Third_Kind_(1977)_theatrical_poster.jpg (accessed 04/03/17)
fig.2 film scene
https://i.ytimg.com/vi/59iKRfdMRn0/maxresdefault.jpg (accessed 04/03/17)
Hi Al,
ReplyDeleteI enjoyed this review, particularly the way you put the film into the context of the way space travel was viewed in the 60s and 70s.
Just a couple of points regarding quoting and paraphrasing; you have 3 references in your bibliography, but only one quote... are the other 2 references from where you have taken ideas from other sources, or paraphrased them? If this is the case, you need to still reference within the text too... this is the example given in the referencing guide -
As Crane (1965:62) points out, the notion of an invisible college has been explored in the sciences.
Or
The notion of an invisible college has been explored in the sciences (Crane, 1972:62)
Your bibliography also needs to be arranged in alphabetical order, by author's surname, so in your case,
Bradshaw
Ebert
Errigo